Product Description

A literary sensation and runaway bestseller, this brilliant debut novel tells with seamless authenticity and exquisite lyricism the true confessions of one of Japan's most celebrated geisha.

Speaking to us with the wisdom of age and in a voice at once haunting and startlingly immediate, Nitta Sayuri tells the story of her life as a geisha. It begins in a poor fishing village in 1929, when, as a nine-year-old girl with unusual blue-gray eyes, she is taken from her home and sold into slavery to a renowned geisha house. We witness her transformation as she learns the rigorous arts of the geisha: dance and music; wearing kimono, elaborate makeup, and hair; pouring sake to reveal just a touch of inner wrist; competing with a jealous rival for men's solicitude and the money that goes with it.

In Memoirs of a Geisha, we enter a world where appearances are paramount; where a girl's virginity is auctioned to the highest bidder; where women are trained to beguile the most powerful men; and where love is scorned as illusion. It is a unique and triumphant work of fiction—at once romantic, erotic, suspenseful—and completely unforgettable.

Product Details

• Amazon Sales Rank: #9525 in Books
• Published on: 1999-01-10
• Released on: 1999-01-10
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .93" w x 5.14" l, .75 pounds
• Binding: Paperback
• 448 pages

Amazon.com Review
According to Arthur Golden's absorbing first novel, the word "geisha" does not mean "prostitute," as Westerners ignorantly assume--it means "artisan" or "artist." To capture the geisha experience in the art of fiction, Golden trained as long and hard as any geisha who must master the arts of music, dance, clever conversation, crafty battle with rival beauties, and cunning seduction of wealthy patrons. After earning degrees in Japanese art and history from Harvard and Columbia--and an M.A. in English--he met a man in Tokyo who was the illegitimate offspring of a renowned businessman and a geisha. This meeting inspired Golden to spend 10 years researching every detail of geisha culture, chiefly relying on the geisha Mineko Iwasaki, who spent years charming the very rich and famous.

The result is a novel with the broad social canvas (and love of coincidence) of Charles Dickens and Jane Austen's intense attention to the nuances of erotic maneuvering. Readers experience the entire life of a geisha, from her origins as an orphaned fishing-village girl in 1929 to her triumphant auction of her mizuage (virginity) for a record price as a teenager to her reminiscent old age as the distinguished mistress of the powerful patron of her dreams. We discover that a geisha is more analogous to a Western "trophy wife" than to a prostitute--and, as in Austen, flat-out prostitution and early death is a woman's alternative to the repressive, arcane system of courtship. In simple, elegant prose, Golden puts us right in the tearoom with the geisha; we are there as she gracefully fights for her life in a social situation where careers are made or destroyed by a witticism, a too-revealing (or not revealing enough) glimpse of flesh under the kimono, or a vicious rumor spread by a rival "as cruel as a spider."

Golden's web is finely woven, but his book has a serious flaw: the geisha's true romance rings hollow--the love of her life is a symbol, not a character. Her villainous geisha nemesis is sharply drawn, but she would be more so if we got a deeper peek into the cause of her motiveless malignity--the plight all geisha share. Still, Golden has won the triple crown of fiction: he has created a plausible female protagonist in a vivid, now-vanished world, and he gloriously captures Japanese culture by expressing his thoughts in authentic Eastern metaphors.

From Library Journal
"I wasn't born and raised to be a Kyoto geisha....I'm a fisherman's daughter from a little town called Yoroido on the Sea of Japan." How nine-year-old Chiyo, sold with her sister into slavery by their father after their mother's death, becomes Sayuri, the beautiful geisha accomplished in the art of entertaining men, is the focus of this fascinating first novel. Narrating her life story from her elegant suite in the Waldorf Astoria, Sayuri tells of her traumatic arrival at the Nitta okiya (a geisha house), where she endures harsh treatment from Granny and Mother, the greedy owners, and from Hatsumomo, the sadistically cruel head geisha. But Sayuri's chance meeting with the Chairman, who shows her kindness, makes her determined to become a geisha. Under the tutelage of the renowned Mameha, she becomes a leading geisha of the 1930s and 1940s. After the book's compelling first half, the second half is a bit flat and overlong. Still, Golden, with degrees in Japanese art and history, has brilliantly revealed the culture and traditions of an exotic world, closed to most Westerners. Highly recommended.
-?Wilda Williams, "Library Journal"
Copyright 1997 Reed Business Information, Inc.

From Kirkus Reviews
Cherry blossomdelicate, with images as carefully sculpted as bonsai, this tale of the life of a renowned geisha, one of the last flowers of a kind all but eliminated by WW II, marks an auspicious, unusual debut. Japan is already changing, becoming industrialized and imperialistic, when in 1929 young Chiyo's fisherman father sells her to a house in Kyoto's famous Gion district. The girl's gray- eyed beauty is startling even in childhood, so much so that her training is impeded by the jealousy of her house's primary geisha, the popular, petty Hatsumomo. Caught trying to run away, Chiyo loses her trainee status until taken under the wing of Mameha, a bitter rival of Hatsumomo. Chiyo flourishes with Mameha as her guide, soon receiving her geisha name, Sayuri, and having her mentor skillfully arrange the two main events vital to a geisha's success: the sale of Sayuri's virginity (for a record price), and the finding of a sugar-daddy to pay her way. Seeing the implications of Japan's militarism, Mameha pairs Sayuri with the general in charge of army provisions, so that as WW II drags on she and her house have things no one else in Gion can obtain. After the war, with her general dead and others vying for her attention, Sayuri pines anew for the only man she ever loved--an electrical- corporation chairman whose kindness to a crying Chiyo years before altered the course of her future. He seems out of reach since his right-hand man and closest friend is her most ardent admirer, but in the end her long-thwarted happiness is accomplished. Though incomparable in its view of a geisha's life behind the scenes, the story loses immediacy as it goes along. When modern times eclipse Gion's sheltered world, the latter part of Sayuri's life--compared to the incandescent clarity of its first decades- -seems increasingly flat. (First printing of 75,000) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.